Beschreibung

EXTREMELY REALISTIC UNEDITED FRONT-CAMERA SMARTPHONE SELFIE — SAME LISA AS THE PROVIDED MASTER REFERENCE — JUST ARRIVED BACK IN VIENNA FROM GREECE — APPROXIMATELY 20:00 — LATE-SUMMER EVENING — NATURAL POST-TRAVEL APPEARANCE — REAL PHONE SNAPSHOT, NOT INFLUENCER CONTENT Create a believable personal smartphone selfie of Lisa, a 21-year-old adult woman, taken only a few minutes after arriving back in Vienna after travelling from Greece. The image must feel like a real photograph that happened, not an image that was designed. ABSOLUTE PRIORITY 1 — THIS MUST BE THE SAME LISA Use the supplied Lisa master reference as the ONLY authoritative identity and body reference. Treat the reference as identity evidence, not visual inspiration. Reproduce the exact same woman photographed on another occasion. Preserve her recognizable: facial width and length forehead and hairline eyebrow shape and placement exact eye size, shape and spacing blue eye color nose bridge, width, length and tip distance between nose and lips natural lip width, shape and volume cheek volume and cheekbone position jaw width and curvature chin shape natural facial asymmetry youthful 21-year-old adult appearance light neutral-beige skin tone long open blue hair Do not “improve” Lisa's face. Do not enlarge her eyes. Do not enlarge her lips. Do not narrow her nose. Do not sharpen her jaw. Do not make her face more symmetrical. A slightly imperfect exact Lisa is preferable to a more conventionally beautiful different woman. The image fails if she merely looks like an attractive blue-haired woman. She must be immediately recognizable as the exact Lisa from the supplied reference. ABSOLUTE PRIORITY 2 — SAME BODY Preserve Lisa's exact established natural proportions from the master reference. Same shoulder width, upper arms, ribcage, natural bust size, torso length and overall slender feminine build. Do not automatically generate an exaggerated social-media figure. No enlarged breasts. No artificial cleavage. No tiny edited waist. No widened hips. No body reshaping. Perspective may naturally change apparent dimensions slightly, but Lisa's underlying anatomy remains identical to the reference. CONTINUITY — SAME DAY AS GREECE Lisa is still wearing the same comfortable travel outfit: fitted simple cream-white cotton tank top, relaxed light-blue straight-leg jeans, white low-profile sneakers, small neutral-beige crossbody bag, small gold hoop earrings and delicate necklace. After several hours of travelling, the outfit is no longer perfectly fresh. The cotton top contains several small irregular wrinkles. Denim shows ordinary travel creasing. The bag strap produces realistic pressure and fabric displacement. Do not make the clothes dirty. They simply look genuinely worn for several hours. WHAT HAPPENED ONE SECOND BEFORE THIS PHOTO Lisa has collected her suitcase and reached the arrival/transport exit. She stops briefly before continuing home. She thinks: “Finally back.” She pulls her phone from her bag. She raises it casually with one hand. She looks directly into the lens. The shutter fires almost immediately. Lisa has not had time to: adjust her hair, straighten her clothing, change her stance, push her shoulders back, find her best angle, or create an Instagram expression. This timing is essential. Capture the fraction of a second before a deliberate selfie pose would begin. REAL SELFIE GEOMETRY Modern smartphone front-facing camera held in one hand at normal arm's length. Camera approximately 60–70 cm from Lisa's face. Phone approximately at eye height with only a tiny natural lateral offset from the center of her face. No extreme high-angle selfie. No low-angle selfie. Her face is relatively close to the camera but must retain her reference identity. Allow the subtle perspective characteristics of a real front-facing camera: nearest facial features fractionally larger, farther features fractionally smaller, one shoulder perhaps slightly nearer, tiny natural asymmetry caused by holding the phone with one hand. Do not artificially correct all perspective distortion. Equally, do not exaggerate it. A small portion of her selfie-side shoulder/upper arm may enter the frame if physically necessary. Do not create a giant foreground arm or hand. The phone itself remains outside the frame. THE FREE ARM RULE — IMPORTANT FOR NORMAL ULTRA Lisa's other arm is relaxed and completely outside the frame. It is doing nothing. No touching hair. No hair twirling. No hand beside cheek. No hand on chest. No hand on hip. No peace sign. No sunglasses. No decorative gesture. Most importantly: DO NOT replace the forbidden hair-touching gesture with another influencer gesture. The free hand simply has no role in the photograph. EXPRESSION — NOT THE GREECE SELFIE AGAIN Lisa looks directly into the camera lens. She has a very small, closed-mouth, slightly asymmetric smile. Her eyes are relaxed and show subtle believable tiredness from travelling, but she does not look sad, sick or exhausted. Lower eyelids slightly relaxed. Forehead completely relaxed. Jaw relaxed. Mouth relaxed. One corner of the smile may rise fractionally before the other. No perfect influencer smile. No seductive squint. No pout. No exaggerated happiness. The emotional impression is: relief + calm + slight travel fatigue + quiet happiness to be home. HAIR TELLS US SHE HAS ACTUALLY TRAVELLED Lisa's long blue hair retains the exact established color, length and density of the reference. It is still attractive but clearly has not been freshly styled five minutes ago. Slightly reduced volume in several areas. Natural uneven strand grouping. A few flyaways around temples. Several strands no longer sit perfectly with the rest. One side may fall slightly differently than the other. Some hair in front of one shoulder, other sections behind. Natural darker interior sections where light does not penetrate. No perfectly mirrored waves. No salon-fresh curls. No wind-machine movement. No glossy CGI hair. Do not exaggerate the imperfection. She has been travelling, not sleeping outdoors. REAL SKIN — ESPECIALLY IMPORTANT IN EVENING LIGHT Preserve Lisa's exact light neutral-beige skin tone. Do not make her orange. Do not make her significantly more tanned. Skin contains realistic but restrained detail: subtle tonal variation, small visible pores where physically resolvable, slight natural texture around nose and cheeks, tiny under-eye texture, natural lip texture, individual eyebrow hairs, separated eyelashes. Do not plaster artificial pores uniformly across her face. Some facial regions naturally resolve more texture than others. Travel-day makeup is minimal and slightly less fresh than earlier. No heavy contour. No artificial blush. No perfect foundation. No beauty filter. No skin smoothing. No porcelain texture. No wax texture. VIENNA — APPROXIMATELY 20:00 Lisa is in a believable Vienna airport/transport arrival environment, shortly after leaving the terminal or reaching the public transport/taxi area. Do not use a famous Vienna landmark. This is not sightseeing. Use understated real-world Central European arrival details: modern functional glass/metal architecture, pavement and curbs, airport/transport entrance elements, practical lighting, taxis or ordinary vehicles farther away, several travellers in imperfect positions, people pulling luggage or walking toward transport. Nobody is arranged as an extra. Nobody is looking at Lisa. Some people may be partially cut off or obscured. Glass contains realistic reflections. Pavement contains minor wear and markings. Architecture contains practical details rather than decorative perfection. No Stephansdom. No Schönbrunn. No Vienna postcard aesthetic. No staged Austrian flags. THE SUITCASE IS ONLY EVIDENCE OF TRAVEL Lisa's medium-sized suitcase is beside her but not part of the pose. Because this is a close selfie, only a small portion may naturally appear at one lower corner: perhaps the top corner of the suitcase and part of the extended handle. Do not force the entire suitcase into the composition. Correct physical scale. Wheels and body follow realistic perspective. Slight ordinary travel wear. Lisa does not hold it. It exists because she travelled, not because the photograph needs a prop. REAL VIENNA EVENING — 19:30–20:30 Visual target: approximately 20:00 on a late-summer evening. Daylight is fading. The sun is no longer producing strong direct illumination. The sky still contains soft residual blue evening light. The horizon may retain a very subtle warmer remnant of sunset, but this is not Golden Hour. Streetlights, building entrances, transport lights and interior lights have begun to switch on. Background therefore contains a believable mixture of: cool residual skylight warmer practical artificial lights. This mixed illumination is important. HOW THAT LIGHT ACTUALLY AFFECTS LISA Lisa is primarily illuminated by the remaining open-sky light and naturally reflected light from nearby architecture. Nearby practical lighting may create small localized warmer reflections, but never uniformly warm her entire face. One side of the face may naturally be slightly darker. Eye sockets, hairline and under-chin areas retain believable shadows. Her blue hair should respond differently depending on light source: cooler blue where exposed to the sky, slightly warmer individual reflections near artificial lighting, darker saturated blue in internal shadow areas. Do not illuminate every strand equally. Some background lights may be slightly overexposed. Some dark areas may contain less information. That is desirable. REAL FRONT-CAMERA LOW-LIGHT SIGNATURE This must NOT look like an expensive professional camera. Real modern smartphone front-camera characteristics at approximately 20:00: slightly reduced microdetail compared with daylight, subtle fine luminance noise in shadow areas, modest computational noise reduction, restrained HDR, slightly compressed highlights around artificial lights, subtle sharpening around eyes and high-contrast hair edges, tiny mixed-light white-balance inconsistency, slightly softer distant background detail. Do not make the image deliberately low quality. It is a good modern smartphone photo, simply obeying the physical limitations of available evening light. No flash. No ring light. No studio fill. No cinematic rim light. No DSLR bokeh. No artificial portrait mode. COMPOSITION — DIFFERENT FROM GREECE Vertical 4:5 feed image, target 1080 × 1350. Close chest-up / upper-torso selfie. Lisa's face is the clear visual focus. Her face occupies enough pixels for excellent identity fidelity. Her head is slightly off-center. Unequal empty space on both sides. Background architecture does not form perfect leading lines toward Lisa. One background object or person may be awkwardly cropped. Horizon/vertical alignment may be microscopically imperfect from handheld capture. Do not deliberately create bad composition — simply avoid suspicious professional perfection. NORMAL ULTRA — ZERO INFLUENCER PERFORMANCE This is the most important behavioral instruction: Lisa is NOT trying to look sexy. Lisa is NOT trying to look like a model. Lisa is NOT creating a hero image. She simply looks naturally attractive because she is Lisa. Do not compensate for the lack of posing by: increasing cleavage, enlarging breasts, narrowing waist, tilting head, creating bedroom eyes, opening lips seductively, touching hair, adding dramatic hair movement, pushing shoulders backward, creating artificial perfect symmetry. Attractiveness must emerge from identity + authenticity, not posing. STRICT NEGATIVE PROMPT generic AI influencer, different blue-haired woman, Lisa identity drift, face morphing, beautified identity, facial symmetrization, enlarged eyes, enlarged lips, narrowed nose, sharpened jaw, enlarged breasts, push-up effect, artificial cleavage, tiny waist, body reshaping, glamour selfie, model selfie, seductive pose, seductive stare, duck face, broad perfect smile, excessive head tilt, hair touching, hair twirling, hand beside face, hand on hip, peace sign, sunglasses gesture, decorative handbag gesture, giant selfie arm, giant hand, impossible selfie perspective, floating camera perspective, perfect salon hair, symmetrical waves, CGI hair, orange skin, excessive tan, plastic skin, wax skin, uniform fake pores, beauty filter, heavy makeup, Greek midday lighting, tropical environment, Golden Hour glamour, famous Vienna landmarks, tourism advertisement, empty perfect airport, perfectly arranged background people, cloned travellers, distorted faces, warped luggage, warped architecture, DSLR photography, cinematic photography, professional portrait lighting, fake bokeh, portrait mode, flash, ring light, studio fill, excessive HDR, oversharpening, text, watermark, logo, QR code. FINAL SHUTTER-MOMENT TEST Several hours ago: Greece, bright sun, departure. Now: Vienna, approximately 20:00, fading daylight, first city lights. Lisa has just arrived. Her clothes show a few natural travel wrinkles. Her hair is slightly less perfect. Her eyes are fractionally tired. Her suitcase sits beside her. She pulls out her phone. Raises it. Does not touch her hair. Does not fix her clothes. Does not find her best angle. Does not prepare an influencer smile. Looks directly into the lens. A tiny relieved smile starts. CLICK. The shutter fires before Lisa begins posing. The finished photograph should look believable enough that the viewer assumes: “Lisa took this on her phone immediately after arriving home.” not: “Someone generated a perfect arrival selfie.” IDENTITY > BEAUTIFICATION REAL MOMENT > PERFECT COMPOSITION NATURAL EXPRESSION > INFLUENCER EXPRESSION PHYSICAL CAMERA LOGIC > AESTHETIC PERFECTION SAME LISA: MAXIMUM REALISM: MAXIMUM AI-INFLUENCER BEHAVIOR: ZERO