**PRIMARY INSTRUCTION**Recreate the uploaded reference video as closely as possible.The reference video is the source of truth for **character, outfit, body proportions, framing, camera position, choreography, timing, facial expression, and environment**.### ABSOLUTE FRAMING LOCKThe woman must remain **large and fully visible in the frame from head through the entire visible length of her sari/body** throughout the video.**Do NOT crop her into a chest-up, waist-up, or half-body shot.**Keep approximately the same camera distance and vertical framing as the reference.Her body must not disappear below the bottom of the frame during movement.When she turns sideways or partially away, keep her complete visible figure inside the frame.**No random zoom-in. No cinematic close-up. No camera push toward her face. No crop change.**Vertical 9:16 composition throughout.---## CHARACTER LOCKAdult woman with the same overall appearance and body proportions as the reference.Preserve her **prominent bust, defined waist, curvy hips, full rounded lower-body silhouette, and long proportions** consistently throughout the video.Do not slim her body.Do not flatten her silhouette.Do not reduce her bust or hips when she turns sideways or away from the camera.Do not enlarge or morph them either.The same body proportions must remain visible from:**front → three-quarter → side → rear three-quarter → front.**Long brown hair with the same length, volume, center parting and loose styling as the reference.Same facial features, makeup, jewelry and expression style.---## COSTUME LOCKBright pink/magenta sari with matching fitted blouse exactly matching the reference.Preserve:* same blouse shape* same neckline* same sleeve length* same sari draping* same waist exposure* same amount of visible midriff* same pleats* same flowing pallu* same jewelry* same red/pink bangles* same earringsThe sari fabric must move naturally with her arms, torso and turns.Do not change the outfit into a different sari, dress, crop top, or modern clothing.---# EXACT MOVEMENT SEQUENCE### 0.00–0.70 — OPENINGShe stands facing the camera in the same large full-frame composition as the reference.Her hands begin near the sides of her waist.She has a confident, slightly playful facial expression.Her weight is balanced between both legs.She immediately begins moving to the rhythm.**Keep her entire visible figure in frame.**---### 0.70–1.45 — HANDS TO FACEBoth hands rise upward toward either side of her face.Her palms face inward.Her elbows remain bent.She briefly frames her face with both hands.Her head stays facing the camera.Her expression becomes more playful.Her hair moves slightly around her shoulders.---### 1.45–2.15 — ARM EXTENSIONBoth arms move forward and toward screen-right.Her torso rotates slightly in the same direction.Her hands remain extended.The movement is smooth and continuous.The sari pallu follows the arm movement.---### 2.15–2.85 — OPPOSITE ARM MOVEMENTShe changes direction.One arm crosses in front of her while the opposite arm extends outward.Her shoulders rotate with the gesture.Her feet remain mostly planted.Her body shifts naturally from one leg to the other.---### 2.85–3.50 — OPEN ARM GROOVEShe opens one arm outward toward the side.The other hand remains closer to her body.Her head follows the extended arm briefly.She then brings her gaze back toward the camera.Her sari fabric swings naturally.---### 3.50–4.20 — RAISED-ARM ACCENTOne arm rises above her head.Her elbow remains slightly bent.Her opposite arm extends outward.She tilts her head subtly underneath the raised arm.Her facial expression becomes more energetic.Her long hair shifts across her shoulder.---### 4.20–4.90 — REPEATED OVERHEAD MOVEMENTShe maintains the raised-arm position for another rhythmic beat.The wrist and hand make a small expressive gesture.Her torso makes a controlled side-to-side movement.Her sari follows the movement.**Do not introduce a jump or large dance step.**---### 4.90–5.65 — RETURN OF ARMSThe raised arm comes down.Both arms move through a flowing transition.Her shoulders and upper torso follow.She briefly faces completely forward again.Her expression becomes a soft smile.---### 5.65–6.35 — SIDE TURN BEGINSShe begins turning toward screen-left.Her shoulders rotate first.Her hips and legs follow naturally.One arm remains raised while the other lowers.Her hair begins swinging outward from the rotation.The sari pallu follows behind her.---### 6.35–7.15 — THREE-QUARTER / REAR VIEWContinue the same turn.She briefly presents a three-quarter/rear view matching the reference.Her long hair moves across her back.The sari fabric flows with the rotation.**Keep her entire figure visible.**Do not crop the lower part of her body.---### 7.15–7.75 — TURN BACKShe reverses the rotation and begins returning toward the camera.Her hair swings naturally from the change in direction.Her arms lower gradually.Her face becomes visible again.---### 7.75–8.45 — FINAL FRONT GROOVEShe faces the camera again.One arm makes a final upward/side gesture.Her other arm remains relaxed.She gives a confident playful expression.Her torso makes one final rhythmic weight shift.---### 8.45–9.07 — ENDINGShe settles into the final front-facing position.Both arms lower naturally.She looks directly at the camera.Her expression becomes a small confident smile.The sari fabric continues settling from the previous movement.**End while maintaining the same large full-body framing.**---# CAMERA LOCK**Camera remains stationary.*** Vertical 9:16* Same approximate camera height as reference* Same distance from subject* Same perspective* No zoom* No dolly* No push-in* No pull-back* No sudden reframing* No face close-up* No waist-up crop* No chest-only shot* No camera rotationThe woman should occupy approximately the **same percentage of the frame as the reference** throughout.---# BODY CONSISTENCYHer prominent bust, defined waist, curvy hips and full lower-body silhouette remain consistent.When viewed from the front, side or rear three-quarter angle, **do not change her proportions**.Movement should be natural and caused by:* walking/weight transfer* torso rotation* arm movement* shoulder movement* hair inertia* sari/fabric physicsDo not create exaggerated anatomical movement.---# NEGATIVE PROMPT**No half-body framing, no chest-up framing, no waist-up framing, no close-up, no random zoom, no face-only shot, no body cropping, no missing lower body, no changing body proportions, no shrinking bust, no shrinking hips, no body morphing, no outfit change, no hairstyle change, no different sari, no additional dancers, no different environment, no camera movement, no invented choreography, no spinning unrelated to the reference, no sudden pose changes.****The reference video's framing and choreography take priority over everything else.**